The cultural critic on why ignoring the biological differences between men and women risks undermining Western civilization.
‘What you’re seeing is how a civilization commits suicide,” says Camille Paglia. This self-described “notorious Amazon feminist” isn’t telling anyone to Lean In or asking Why Women Still Can’t Have It All. No, her indictment may be as surprising as it is wide-ranging: The military is out of fashion, Americans undervalue manual labor, schools neuter male students, opinion makers deny the biological differences between men and women, and sexiness is dead. And that’s just 20 minutes of our three-hour conversation.
When Ms. Paglia, now 66, burst onto the national stage in 1990 with the publishing of “Sexual Personae,” she immediately established herself as a feminist who was the scourge of the movement’s establishment, a heretic to its orthodoxy. Pick up the 700-page tome, subtitled “Art and Decadence From Nefertiti to Emily Dickinson, ” and it’s easy to see why. “If civilization had been left in female hands,” she wrote, “we would still be living in grass huts.”
The fact that the acclaimed book—the first of six; her latest, “Glittering Images,” is a survey of Western art—was rejected by seven publishers and five agents before being printed by Yale University Press only added to Ms. Paglia’s sense of herself as a provocateur in a class with Rush Limbaugh and Howard Stern. But unlike those radio jocks, Ms. Paglia has scholarly chops: Her dissertation adviser at Yale was Harold Bloom, and she is as likely to discuss Freud, Oscar Wilde or early Native American art as to talk about Miley Cyrus.