https://www.frontpagemag.com/philadelphias-woke-entertainment/
When you attend a play at one of the smaller theaters in Philadelphia, what you get before Act One is something called a ‘Land Acknowledgment’ speech. This is a statement reminding you that the ground the theater was built on was once “owned” by Native Americans before it was stolen by the evil colonists and settlers.
What that statement never explains is that when the same land was “owned” by Native Americans centuries ago, it was often stolen by other Native tribes in violent ways.
In other words, Native American society was just as warlike as any other in human history.
Jeff Flynn Paul in ‘The Spectator,’ explains:
“In North America, most Natives were primitive farmers. This means that (with some exceptions) they had no permanent settlements: they farmed in an area for a few decades until the soil got tired, before moving on to greener pastures where the hunting was better and the lands more fertile. This meant that tribes were in constant conflict with other tribes.“
Real history, of course, doesn’t matter, since most of the subscribers at these little theaters are committed leftists.
Thankfully, there are no ‘land acknowledgment’ speeches in the city’s larger, commercial theaters. Yet even here on opening night you’ll hear a sprinkling of words like “equity” and “diversity” in the welcoming remarks—a little woke salt to keep pace with the more radical thespians on the other side of town.
Perhaps it’s only a matter of time before the city’s commercial venues fill opening night with stories about how Native Americans built wigwam settlements and campfires where the theater’s bar is located.
When Daniel Fish’s rehabbed “Oklahoma” came to the city’s Forrest Theater in 2022 (in 2009, the rights to the original show were sold to a Netherlands-based pension fund), audiences were in for a shock. Suddenly, middle class season ticket holders were face to face with a didactic, virtue-signaling Bolveshik rape of a beloved American classic.