RUTHFULLY YOURS

https://www.city-journal.org/scottish-maritime-museum-gender-neutrality

Two types of people desire to impose politically correct locutions on the rest of us: those who possess unlimited power and fear to lose it and those who aspire to unlimited power and need a means to attain it. And there is, after all, no greater power than that of prescribing what others must say and what others must not think.

The Scottish Maritime Museum, dedicated to the history of the country’s shipbuilding industry, has decided that it will no longer use the words sheand herto refer to ships, but rather itand its. This is in response to feminists, who have defaced plaques referring to ships as sheor her. This change would negate centuries of tradition, during which the words traditionally used on launching a ship, “May God bless all who sail in her,” carried no connotation of insult or deprecation—rather the reverse.

The Maritime Museum’s surrender is yet another instance of the craven surrender of British officialdom to the demands of a small but vociferous group of monomaniacs who make the imposition of their views the purpose of their lives. Museum authorities have argued that they must move with the times, and the prevention of vandalism is important, for economic reasons among others. Yet this rationale is something like awarding burglars a pension in an effort to prevent burglary.

https://www.steynonline.com/9314/edelweiss-uber-alles

On Friday I started the day with three hours of substitute-host-level Excellence in Broadcasting on America’s Number One radio show. The Mueller Report predominated, but we got to other topics as well: You can find a few moments from Open Line Good Friday here. Thank you as always to Mr Snerdley and the rest of the gang: the best team in radio, no question.

~The moronization of society proceeds apace. As we mentioned on the show, a bigshot New York Times correspondent thinks that playing “Edelweiss” at the White House is some kind of Nazi dog-whistle to Trump supporters. It is tragic and profound the way even small artifacts of our inheritance get trashed in these witless arguments, so, if you want to know the real story of the very last song in the Oscar Hammerstein catalogue, here’s what I had to say a couple of years back:

Not long after Rodgers & Hammerstein wrote the song, Theodore Bikel was leaving the theatre when he found a fan and fellow immigrant waiting at the stage door for his autograph: ‘I love that “Edelweiss”,’ said the theatregoer. ‘Of course, I have known it a long time, but only in German.’

Not for the first time, Hammerstein had done too good a job. Just as his ‘Ol’ Man River’ for Show Boat is assumed by many to be an authentic Negro spiritual, so ‘Edelweiss’ is assumed to be an authentic Austrian folk song.

https://www.nationalreview.com/2019/04/the-lehman-trilogy-contemporary-stage-masterpiece/
In New York, Sam Mendes directs a gripping play about faith, family & capitalism.

A man in a sharp suit and dress shoes walks a tightrope between two skyscrapers against the New York City skyline. A silhouette – unmistakable – of the Empire State Building can be seen in the distance.

This is the image promoting The Lehman Trilogy, a gripping three-and-a-half-hour play (including intermissions) currently showing at New York’s Park Avenue Armory, which tells the story of the Lehman family and the collapse of their investment-banking firm, Lehman Brothers, precipitated by the 2008 global financial crisis.

The story begins in 1844, when Hayum Lehmann (soon to be called “Henry Lehman”), the son of a Bavarian cattle merchant, arrived at New York Harbor and set up camp in Montgomery, Ala., soon to be joined by his brothers Emanuel and Mayer. From Eastern Europe to the Deep South to New York City; from cotton to coffee to pure investment banking; from the Civil War to the Great Depression to the 2008 crash – The Lehman Trilogy is a story of immigrants, showcasing American success and Jewish resilience.

Written by Stefano Massini, an Italian playwright, the play was translated from Italian by Mirella Cheeseman and adapted by Ben Power. At the Park Armory, it is brought to life by the National Theatre and Neal Street Productions. Sam Mendes directs Adam Godley, Ben Miles, and Simon Russell Beale – three fine actors – and the result is close to perfection.

https://www.nationalreview.com/news/parent-coalition-urges-halt-transgender-study-children/

A group of hundreds of concerned parents is calling for an immediate halt to a taxpayer-funded study on transgender youth where the young participants are given powerful hormone blockers to stave off puberty and later a regimen of cross-sex hormones.

The Kelsey Coalition, a grassroots organization of parents whose children identify as transgender but who believe current transgender therapy has seriously harmed their children, sent a letter last week outlining their concerns to Dr. Jerry Menikoff, Director of the Office for Human Research Protections, which is part of Health and Human Services.

“The Kelsey Coalition contends this trial is unethical and violates laws protecting human subjects,” the group said in a statement.

The group said the OHRP confirmed Monday that it will “start a review” of the study.

Four pediatric gender clinics were awarded a $5.7 million grant in 2015 by the National Institutes of Health for the five-year study, “The Impact of Early Medical Treatment in Transgender Youth,” which had 279 participants in the cross-sex hormone cohort and 71 participants in the puberty blocker cohort as of April 30, 2018.

https://www.nationalreview.com/magazine/2019/04/22/the-trans-child-as-experimental-guinea-pig/

Standards of evidence have been discarded, and children are being altered for life
Last year Jeanette Jennings, as part of the reality-TV show I Am Jazz, threw her 17-year-old child, Jazz, a “farewell-to-penis party.” Guests cheered as the teenager hacked at a phallus-shaped cake with a knife, shouting, “Let’s cut it off.” The party may have been a bit contrived even by reality-show standards, but the subsequent operation was all too real.

In any other context, we might consider the drug-induced stunting of a child’s penis, followed by its surgical removal, to be mutilation. But in an era of culturally and legally enshrined transgenderism, it’s not just permissible; it’s entertainment.

In February, Representatives Jackie Speier (D., Calif.) and Angie Craig (D., Minn.) participated in the “Jazz and Friends National Day of Community and School Readings,” sponsored by the Human Rights Campaign (a well-funded gay and transgender lobby group) and the National Education Association (a teachers’ union). They read aloud celebratory and euphemistic stories of transgender children (such as Jazz, with the amputated penis) on the House floor. But the mainstreaming of youth transgenderism goes way beyond Congress. In schools nationwide, children as young as five are being taught that they may have been born in the wrong body.

Transgenderism is the theory that each person has an innate gender identity that is distinct from that person’s sex. Theories about gender identity were pioneered by sexologists and academics in the mid 20th century, and they remain widely contested and poorly understood. Despite this, they are being applied in a radical and experimental way to children worldwide. Parents and professionals agonize over the fear that young people will suffer physical and psychological harm from the application of transgender theory, but all too often they are cowed into submission.

https://www.nationalreview.com/2019/03/pizzeria-mural-city-government-regulations-sign-code/

But a mural of something else (burgers, cars, unicorns … ) would be just fine.

The government of Arlington, Va., just forced a local pizza restaurant to paint over a mural of pizza that was outside of it — because the mural was of pizza and not something else.

So, you might ask: What could possibly be the problem with an artistic depiction of pizza? After all, I myself saw a lot of cartoon pizza in episodes of Ninja Turtles as a child, and I can confidently say I have suffered absolutely no damage — emotionally or physically — because of it.

Well, according to an article in Reason, the pizza place (called “Goody’s”) was forced to paint over the mural because of the county’s sign code, which prohibits any business from having a mural outside that depicts what’s sold inside. So, basically, the pizza place could have had a mural of pretty much anything else (aside from, like, violence and/or pornography, probably), and it would have been just fine. Here’s the thing, though: Why the hell would the pizza place have a mural of something other than pizza, if the goal of the mural was to get people to buy more pizza? Not to mention the obvious fact that there is literally no discernable reason that a business shouldn’t be able to advertise its legal, family-friendly products using a mural if it chooses to do so. After all, I did a little research, and I was able to find exactly zero examples of anyone being killed (or even injured!) by a painting of dough, sauce, and cheese.

https://www.nationalreview.com/news/transgender-teen-study-results-unchanged-activists-forced-review/

A Brown University professor’s study of a “social contagion” effect among transgender teenagers was republished with its results section unchanged Tuesday following an unprecedented post-publication review prompted by a wave of backlash from transgender activists and researchers sympathetic to their cause.

Dr. Lisa Littman’s paper, “Parent Reports of Adolescents and Young Adults Perceived to Show Signs of a Rapid Onset of Gender Dysphoria,” explores a little-understood phenomenon in which a statistically abnormal number of teens, mostly girls, belonging to the same established friend group claim they are transgender within a short period of time.

The study, which relied on findings from a 90-question survey completed by 256 parents of transgender youths, immediately drew the ire of trans activists when it was published in August 2018, because its findings suggested that rising rates of gender dysphoria among teens may be the result of socialization, rather than inherent biological factors.

Brown University removed a press release announcing the study’s publication after the academic journal PLOS ONE conceded to activists’ demand that it take the highly unusual step of ordering a post-publication review. But following that review, the paper was republished with an unchanged results section and a few additions included to provide “additional context.”