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November 2019

In Restoring Civics, Start with the Basics There is a lot to be said for students having the opportunity to write research papers or develop projects independently. But first they should have a base of knowledge from which to proceed. Robert Holland

https://amgreatness.com/2019/11/27/in-restoring-civics-start-with-the-basics/

In a bit of good news for this Thanksgiving, it appears that many would-be shapers of education policy are plugging for the return of civics to the curricula of schools and colleges.

The bad news is that many of the prime movers and shakers behind a “new civics” still cling to the old progressive hostility toward a knowledge-based approach to teaching and testing American students about representative government and its historical roots in this exceptional nation.

A little more bad news: A survey released this fall by the American Council of Trustees and Alumni added to a mountain of evidence that adults, including many who attend college, don’t command much civic knowledge. For example, fewer than half knew that John Roberts is the current chief justice of the United States. More than one-quarter thought Brett Kavanaugh was.

Term lengths of U.S. senators and representatives? That is a piece of information any informed voter should know; however, fewer than half of college graduates could give the correct numbers. (The answer, by the way, is six and two, respectively).

Now for some better news: Five years ago, a coalition of prominent leaders assembled by the Arizona-based Joe Foss Institute launched a Civics Education Initiative intended to ensure that all young Americans are taught basic civics and tested on their grasp of the fundamentals. Former U.S. Education Secretary Richard Riley and Pulitzer Prize-winning journalist Carl Bernstein were among the participants.

‘Bizarre delicacy is cruel’: De Blasio signs bill banning foie gras in NYC by Zachary Halaschak (???)

https://www.washingtonexaminer.com/news/bizarre-delicacy-is-cruel-de-blasio-signs-bill-banning-foie-gras-in-nyc

Whew! We have until 2022! By then we may be dining by candlelight and using our fingers instead of utensils.rsk

Foie gras will soon be pulled from menus across New York City after Mayor Bill de Blasio signed legislation that bans sales of the French delicacy.

De Blasio signed the bill into law on Monday. It had been widely supported by the New York City Council, which voted overwhelmingly in favor of banning the food over concerns of animal cruelty. The ban will go into effect in 2022 and is expected to have an impact on the approximately 1,000 restaurants that serve the dish, according to the New York Times.

Foie gras, created through a process called gavage, is made from the liver of a duck or goose that is force-fed a fatty mixture through a tube inserted into its throat. During the 20-day feeding process, the bird’s liver becomes engorged for human consumption.

Allie Feldman Taylor, president of Voters for Animal Rights, hailed the decision.

“New York has sent a clear message to foie gras producers that shoving a foot-long pipe down a bird’s throat and intentionally diseasing and enlarging their liver up to ten times its normal size in order to create some bizarre delicacy is cruel and has no place in our compassionate city,” Taylor said in a press release.

Marco Moreira, the executive chef and owner of French restaurant Tocqueville, criticized the law and said that it would damage the city’s fine dining scene.

What We Wish Democrats Would Read Over The Thanksgiving Break

https://issuesinsights.com/2019/11/28/what-the-democratic-candidates-should-be-reading-over-the-thanksgiving-break/

If the Democratic presidential candidates can take a break from their campaigns over the long holiday weekend, they should catch up on their reading. We have for them a few suggestions that might give them a new perspective.

Declaration of Independence. If they were to actually read and internalize this founding document, the Democrats might accidentally learn that the policies they are so set on imposing on this country are hardly different from many of the cruel acts committed by the crown the Founders rebelled against.

U.S. Constitution. There’s no greater reminder that we have guaranteed freedoms, that Congress’ power is limited, that this nation was intended to have a “republican form of government,” not a democracy, which is easily transformed into mob rule, than our Constitution.

“Economics in One Lesson,” Henry Hazlitt. This Thanksgiving happens to coincide with the 125th anniversary of Hazlitt’s birth. As Pepperdine University economist Gary Galles notes nearby, Hazlitt was one “of America’s most prolific public intellectuals (who) published roughly 10 million words as a journalist, literary critic, philosopher, and economist.” “Economics in One Lesson” ought to be required reading for Democrats. In this seminal work, Hazlitt explains in clear and compelling fashion why their prescriptions will make the country worse off. He also explains why we should be thankful for our free market system.

“Breaking Point,” C.J.Box. Washington needs to understand how its policies affect everyday people across the country and Box shows them. The novel is based on the Environmental Protection Agency’s vicious harassment of the Sacketts of Idaho, who, says Box, went through “a nightmare” just trying to build a modest home that was to be their dream house.

“The Permission Society: How the Ruling Class Turns Our Freedoms into Privileges and What We Can Do About It,” Timothy Sandefur. We should not have to have our rights cleared by government before we exercise them. This might seem like a new idea to the Democrats, who not only want to the authority to grant fundamental rights to petitioners, but wish to shut them down whenever possible.

Who Will Turn Over the 2016 Rocks? The republic can survive the truth, but the FBI and CIA probably can’t. By Holman W. Jenkins, Jr.

https://www.wsj.com/articles/who-will-turn-over-the-2016-rocks-11574812212?mod=opinion_lead_pos9

A forthcoming report by the Justice Department inspector general will look into the FBI’s formal handling of the Steele dossier and its launching of a counterintelligence investigation of the 2016 Trump campaign. Far more consequential, though, was the FBI’s informal role in allowing itself to be used to inject the dossier into the political sphere to spark the Russia collusion folly.

And where is the similar report on the CIA under John Brennan ? His promotion of the Russia collusion canard was bad enough. Unexamined is his role in promoting the still-secret Russian “intelligence” used to justify FBI Director James Comey’s chaotic intercessions in the matter of Hillary Clinton’s emails.

The story is worth retelling. Mr. Comey’s rationale, not disclosed until after the election, we may suppose was of crucial importance to somebody who makes himself out to be such a stickler for doing the right thing. Yet his public explanations have been a tissue of absurdities. He claims the secret Russian intelligence might have leaked and discredited a Justice Department decision to clear Mrs. Clinton, but how did his usurping the DOJ’s decision improve matters? The information still could have leaked. Plus didn’t his own actions discredit the DOJ?

He says he was protecting the FBI, that an FBI decision would be more credible than a Justice Department decision. This is laughable. On the eve of the convention, the FBI was going to deprive the president’s party of its nominee even as the reviled Mr. Trump was storming to the GOP nomination? It would have been institutional hara-kiri. Nobody believes the FBI’s decision was any less foreordained than the Justice Department’s.

Making further mincemeat of Mr. Comey’s rationale, the inspector general has revealed that his FBI colleagues judged the Russian intelligence to be “objectively false” and possibly a Kremlin plant. If the Russians can fake one email chain to discredit the Justice Department, they can fake another to discredit the FBI. Again, how did Mr. Comey fix any problem?

Jojo Rabbit and the Pitfalls of Nazi Humor By Ross Douthat

https://www.nationalreview.com/magazine/2019/12/09/jojo-rabbit-and-the-pitfalls-of-nazi-humor/

One small but reliable way to amaze someone steeped in our own culture of problematics with a dispatch from the not-so-distant past: Tell them that in the late 1960s, one of the most successful sitcoms in America was a broad farce set in a Nazi prison camp. If you want to compound the amazement, you might add that the actor playing the Nazi commandant was Werner Klemperer, a first cousin of Victor Klemperer, he of the famous Nazi-era diaries. Also, the actor who played the camp’s French POW, Corporal LeBeau, was not only Jewish but a survivor of Buchenwald, where as a twelve-year-old deportee he had escaped death by doing a song-and-dance act for SS men.

The Klemperer and Buchenwald connections, I will admit, were unknown to me until I set out to refresh my memory about the epic strangeness of Hogan’s Heroes — a refreshment inspired by watching Jojo Rabbit, a peculiar and polarizing movie that won a big audience award at the Toronto Film Festival and is being marketed as a love-trumps-hate dark horse to Academy Award voters looking for a passion project. If you want to understand the challenge of that marketing campaign, the memory of Colonel Klink and Sergeant Schultz is a useful place to start, since making a slapstick farce about a Hitler-worshiping ten-year-old surrounded by idiotic Nazis in the waning days of World War II is at least as strange as giving Nazi prison guards the sitcom treatment — and quite possibly a bit stranger.

The director of this odd entertainment is the part-Maori, part-Jewish Taika Waititi, whose name has come up a lot recently in cinephile debates because he made the candy-colored treat Thor: Ragnarok, which is by general consensus the movie that you’re supposed to reference if you’re defending the virtues of the Marvel Universe against that snob Martin Scorsese. “Okay, Goodfellas dude, but what about Thor: Ragnarok? Wasn’t that art?” Well, it wasn’t, really, but it was entertaining and deservedly successful, and riding that success, Waititi has seized his opportunity not only to make the Nazi comedy of his dreams, but to cast himself — as one does — as Adolf Hitler.

MY SAY: A SONG ON THANKSGIVING DAY

THE HOUSE I LIVE IN-1943

What is America to me
A name, a map, or a flag I see
A certain word, democracy
What is America to me

The house I live in
A plot of Earth, a street
The grocer and the butcher
And the people that I meet

The children in the playground
The faces that I see
All races and religions
That’s America to me

For the rest of the lyrics go to the internet…..It is an interesting story. The music was written by Earl Robinson and the lyrics by Abel Meeropol,  a communist, who later adopted the sons of Julius and Ethel Rosenberg. Happy Thanksgiving!

Thank the Pilgrims One great and obvious gift the Pilgrims gave us was the lesson in gratitude, with this national holiday of Thanksgiving, that unites the entire country. Karin McQuillan

https://amgreatness.com/2019/11/27/thank-the-pilgrims/

I’ve loved the Pilgrims ever since I was a child. They feel like family to me, perhaps because my own father fled religious persecution of the Jews by the Communists in the Soviet Union, and my mother’s grandparents escaped for religious freedom from Czarist Russia. Like the Pilgrims, they embraced America as the Promised Land.

As an adult, I love the Pilgrims in a deeper way the more I learn about them. I cling to them with a fierce loyalty because it was their legacy that set America on the right track, this country I revere and love so much, and for which I am so grateful .

One great and obvious gift the Pilgrims gave us was the lesson in gratitude, with this national holiday of Thanksgiving, that unites the entire country.

If you are curious about the Pilgrims—why they came to America, the steps of their journey, their feelings as they approached our shores that first day, how they survived, what the first Thanksgiving was like—ask a Pilgrim. We have the answer to all these questions directly from Edward Winslow and William Bradford in 1622, two years after they arrived on the Mayflower. Their book, called Mourt’s Relation, is available free on the web. I’ve started a family tradition of reading favorite excerpts on Thanksgiving. It makes the holiday deeply meaningful.

We’re often told that America was founded on secular Enlightenment ideals. That answer gets partial credit. The literal founding of the country was centuries before the Enlightenment happened. It is the Pilgrims who planted our deepest roots. Their legacy is political, ethical and characterological as well as religious. These virtues and institutions  are all inextricably linked, then as now. The Puritans and other religious separatists formed the bedrock instincts and institutions that have made this country great and good.

Puritan values and political beliefs did not end as their prosperous children relaxed religious strictures on daily life. The legacy was not diluted, but expanded as other religious groups followed the Pilgrims in coming to America for religious freedom.

Israel Expels Human Rights Watch’s BDS Supporter How Human Rights Watch has failed its founder’s test. Joseph Klein

https://www.frontpagemag.com/fpm/2019/11/israel-expels-human-rights-watchs-bds-supporter-joseph-klein/

Human Rights Watch is in a lather because the Israeli government decided to expel Human Rights Watch’s “Israel and Palestine” director, Omar Shakir, on November 25th . Kenneth Roth, executive director of Human Rights Watch, accused Israel of joining “the likes of Venezuela, Iran, and Egypt in barring Human Rights Watch researchers.” United Nations Secretary General Antonio Guterres’ spokesperson responded to Shakir’s deportation, saying, “We regret the decision taken by the Israeli authorities to deport him. The secretary-general supports the important work by human rights defenders around the world, and that work should be allowed to continue.” Several so-called UN human rights “experts” had previously criticized Israel’s decision to expel Shakir, which was upheld by the Israeli Supreme Court, as “a body blow to the protection of human rights defenders.”

Omar Shakir is neither an objective researcher or genuine human rights defender. Israel’s decision to deport him was based on his violation of a 2017 Israeli law that bars entry to people who advocate the Boycott Divestment and Sanctions movement (BDS) against Israel. Shakir has a history of bashing Israel. Then again, the organization he works for – Human Rights Watch – has become a shill for the Palestinians’ campaign to demonize and delegitimize Israel. No wonder it chose Shakir as its “Israel and Palestine” director and continues to defend him. Indeed, Shakir will remain Human Rights Watch’s “Israel and Palestine” director, delivering his propaganda from a neighboring country.

Omar Shakir was co-president of Students for Palestinian Equal Rights (SPER), the forerunner to Students for Justice in Palestine (SJP) at Stanford University. In 2011, he gave a  presentation entitled “Renewing the Call for Divestment: A Campaign to Divest from Companies that Profit from Human Rights Violations in Israel/Palestine.” In 2013, he introduced a BDS resolution to the undergraduate senate at Stanford.

The Self-Censorship Trap: Some Artists Walking Right Into It by Judith Bergman

https://www.gatestoneinstitute.org/14505/self-censorship-artists

The Index on Censorship has identified what appears to be an overly cautious approach to commissioning new artwork. “Artists will create the work that gatekeepers and commissioners will adopt….”

“I love my freedom. I’m aware of the very real threat to that freedom from Islamic fascism and I’m not going to pander to them or justify it like many people on the left are doing.” — The artist Mimsy, whose artwork was removed from an exhibit entitled Passion for Freedom at the Mall Gallery, London, on the grounds that it might be “potentially inflammatory”.

This kind of censorship among artists, however, unfortunately, only contributes to the ever-shrinking space of free expression. Some artists, evidently, only approve of certain kinds of free expression. They never appear to consider that a similar boycott might happen to themselves, if they happen to fall afoul of current political orthodoxy.

“Ai Weiwei should be the first to know that this kind of thinking is totalitarian…. Political art represents both the struggle and the vaccine against the culture of silence found in any society. The political artist breaks down taboos so that the roads are opened for the exchange of thoughts and ideas between individuals and between citizens and rulers. Therefore, political art is necessary. And so this exhibition is necessary.” — Jon Eirik Lundberg, curator of the Læsø Art Hall, Denmark.

Index on Censorship, a London-based organization that campaigns for free expression worldwide, recently launched a new support service for artists, Arts Censorship Support Service.

The service is apparently intended to “push back against censorship and keep the space for artistic freedom of expression as wide open as possible”, according to an interview by ArtsProfessional with Associate Arts Producer Julia Farrington of the Index on Censorship.

The Index on Censorship has identified what in general appears to be an overly cautious approach to commissioning new artwork. “Artists will create the work that gatekeepers and commissioners will adopt, and so [the new service] is a lot to do with making the decision makers, the commissioners, confident in taking on and challenging their own self-censorship and organisational censorship,” Farrington said. According to her, the pressure that can be exerted on arts organizations when producing controversial or challenging work has been greater than ever, in part due to a climate of online hostility.

The Uyghur Emergency

https://www.nationalreview.com/2019/11/the-uyghur-emergency/

The Chinese government has rounded up more than a million Uyghurs and other minorities, throwing them into concentration camps.

When people talk about what the Chinese government is doing to the Uyghur people in northwest China, they tend to refer to the Nazis. They can be excused.

In April 2018, Jerome A. Cohen raised the specter of the Nazis. He is considered the dean of China scholars in the United States, born in 1930. He is a very careful, judicious man. He would not use the N-word — “Nazi” — lightly. But he said that what was happening to the Uyghurs reminded him of his relatives in Austria and Germany. Some 40 of them were killed.

At the beginning of this month, Fred Hiatt of the Washington Post had an article headed “In China, every day is Kristallnacht.” He noted that you are not supposed to bring up the Nazis, because the Holocaust was a unique event. Yet, in a discussion of northwest China, the Nazis are hard to avoid.

The government has rounded up more than a million Uyghurs and other minorities, throwing them into concentration camps, or “reeducation” camps. These camps constitute a Chinese gulag archipelago.

Among the Uyghurs, there are a relative handful of militants, as there are among the Rohingyas (the minority people whom the Burmese government has brutalized). This gives the government an excuse to go after everyone — think of Lidice, multiplied untold times.