DANIEL GREENFIELD: THE WEEK THAT WAS PART ONE
TRUTH, JUSTICE AND JOURNALISM
It seems almost redundant to link to the Reuters piece on George Zimmerman that nearly everyone has seen by now, but what’s interest about it is just how routine it is. It’s a standard background piece and thousands like it run after prominent crimes. Any sizable news organization can put one out within a week and smaller community papers and magazines regularly run them when there’s a major case. When the case is big enough, some of them get turned into movies, mostly they help set a tone.
All they really involve in meeting with some of the locals, arranging for interviews, taking some notes and writing up the results. And what’s really interesting about “Prelude to a Shooting” is how long it took until a media organization chose to run it.
I strongly suspect that there’s a dozen pieces like it sitting in file folders and desks in other media organizations that have not decided what to do with them. I suspect the Reuters piece was in that same state until someone decided to finally run it. The Zimmerman family has been proactive in reaching out and trying to tell the story. It’s the media that has held the door shut.
“Prelude to a Shooting” is not the last word on the case. It’s background on Zimmerman, not the entire set of events, and it wouldn’t even be all that significant except for the lynch mob atmosphere in the media and the refusal of the media to do any basic reporting on the case besides spewing back the same ‘hoodie and skittles’ narrative.
If Zimmerman had just shot a man in cold blood, there would be little point in laying out the background, it would be no more than another Bernie Tiede piece, but instead we do get crucial bits of context that explain what was going on in the neighborhood at the time in the context of property values, constant break ins and a neighborhood on the edge.
It’s the final concluding material on Emmanuel Burgess that sets the most important context in the case. It tells us part of why events happened the way they did and that along with Martin’s No Limit Nigga material sets a different stage than the one that the media has thrust on us.
BUILDERS AND DESTROYERS
We are more than who we are at any given moment. We are also who we aspire to be.Both Zimmerman and Martin were flawed men, but Zimmerman’s writings and behavior showed a man who aspired to be something better, while Martin’s showed that he wanted only to sink down. Martin can’t be entirely blamed for that, he did not create and perpetuate the fake gansta culture. It’s the mostly white entertainment industry that did that, often embedded in the same news corporations which organized the lynching of George Zimmerman.
The entertainment industry did not tell Martin what would happen if he assaulted an adult man who was concerned about the neighborhood, while Martin was concerned about getting the “Respect” that gangsta culture told him he was entitled to by virtue of his posing.
Martin did not understand that life was different than gangsta culture. That men who have guns don’t necessarily go waving them around. And that sometimes when you have someone down on the ground and you’re beating on them, they will use what they have.
Had Martin killed Zimmerman, he would be preening for the cameras now, the defiant upward head tilt you see so often in court photos. The pose that says, “I don’t care, because I’m too cool to care.” It’s the pose that the man who might have been Martin’s father often wears to tell us that he’s going to go on doing whatever he likes, because he can.
But that’s not what you see in Zimmerman’s face, it’s not just regret, it’s pain. Zimmerman did not intend to take another human life, and he regrets that and regrets how society sees him, and he is coming to terms with doing what he had to do. There is a basic decency in his expression which cannot be photoshopped onto Martin’s face. The photoshopping can pale his skin, younger photos can make him look innocent, but nothing can make him look decent.
Zimmerman quoted Burke. Martin quoted hip hop. That was the fundamental difference between the two men, not race, but culture. Zimmerman aspired to be a good human being. Martin aspired to be street trash.
In a society under siege, there are builders and there are destroyers. Zimmerman was a builder, we will never know what Martin might have become, but he was on a path to becoming a destroyer.
We live in a culture that punishes builders and rewards destroyers. That treats the destroyer as innocent and moral, because he is untainted by knowledge and experience, because he resists the builders and spreads anarchy and chaos.
The gap between Martin and Zimmerman is the gap between the graffiti scrawler and the business owner, the occupy wall street thug and the office worker, the rap star and the composer, the activist and the entrepreneur.
Martin was just another pawn in a culture war waged by the destroyers against civilization. As a a man he gorged himself on destroyer culture, imitated it and then fatally lived it out. As a dead man, he became a rallying cry for the destroyers.
There have been multiple black on white hate crimes in his name. There is a trial in his name. And there is an election campaign in his name.
Destroyers are obsessed with martyrs. They need these tokens to see them along to the next fight, the Horst Wessels, the Pavlik Morozovs, the Hussein ibn Alis and the Trayvon Martins. Idealized figures to justify the destruction and repression that they visit on others. Rituals, show trials, songs, marches whip them up into a frenzy of destruction.
The Destroyers are always out for respect, but when they say ‘respect’ they really mean power, they really mean the right to destroy because they are somehow superior. They aren’t. Decency is worth respecting, power isn’t. And those who try to get power by enforcing a mandate to respect them sometimes learn that power works both ways.
VICTORY IN IRAQ
A united Iraq died a few days after the withdrawal. The only people who still believe in the fiction of a centrally governed Iraq are holding down desks in the State Department. There are several Iraqs now. There is Iran’s Iraq, the one overseen by Tehran’s puppet in Baghdad, Prime Minister Maliki. Then there is Iraqi Kurdistan which stands on the verge of declaring its independence, an act that will touch off a violent territorial dispute accompanied by ethnic cleansing.
Iraqi federalism is only popular among some in the Shiite majority, for whom it means majority rule. Maliki’s warrant for Sunni Vice President Tariq al-Hashemi and the latter’s subsequent flight and sanctuary in Iraqi Kurdistan has ended the fiction of joint rule in Iraq. The Kurds have branded Maliki a dictator and are swiftly breaking their remaining ties to Baghdad.
President Barzani of Iraqi Kurdistan declared that, “Power-sharing and partnership between Kurds, Sunni and Shiite Arabs, and others is now completely non-existent and has become meaningless” and concluded his speech by hinting at an independence referendum, a move almost certain to touch off a violent conflict, particularly in oil rich Kirkuk.
… part of the story from my Front Page piece on Iraq’s Coming Civil War
Occupy Wall Street is planning the expected freak show for May 1st. There have been stickers all around the city calling for a general strike, they won’t get their general strike, this isn’t Paris in the 30’s, but they may pick up some headlines.On the other coast though, another sort of strike will be taking place. A Town Hall on Terror. There will be some interesting people there, including Mark Tapson, a friend from another coast, Bosch Fawstin, whose illustrations appear sometimes in these roundups, Nonie Darwish, who knows the problem from the inside out, and Dwight Schultz, whom some of you may know from the A-Team, and a longtime conservative.
This will be a panel discussion on confronting the Muslim Brotherhood and Islamic terror and you can find more details about it on the site.
ANOTHER WEEK, ANOTHER INTERVIEW
…This one with Chai95 radio.
And Adam Taxin of Chai95 also read my article on Israel, A Nation Once Again. If your eyes get tired of looking at all the little black dots on the screen, you can take it along with you and listen along.
To just get the audio file, go to a website that turns YouTube videos into MP3 files and insert the Youtube link.
IRAN’S METH EMPIRE
Iranian gangs and dealers prowl Bangkok plying their crystal meth and muscling out locals with a combination of aggressiveness and underselling. And Bangkok, for all its dangerous reputation, is only one stop on the express train of Iran’s meth empire.
Iranian drug rings are a sizable presence everywhere from Europe to Southeast Asia to the United States. By the spring of last year, Thai authorities had already arrested their twentieth Iranian meth smuggler. The same story repeats itself in Indonesia, Malaysia, Burma and Vietnam. Asia is no stranger to the drug trade, yet it’s being swamped by Iranian meth, Iranian meth labs and Iranian dealers.
In Japan, they were running meth labs, a rarity in the country, and the majority of those arrested on meth charges in the land of the rising sun were Iranians. That pattern too repeats itself in countries with hardly any Muslim populations, such as Korea. Forget oil, Iran is suddenly in the position of supplying the crystal meth needs of half of Asia.
…from my piece on Iran’s Meth Empire and the spread of terror
IMAGINE THERE’S NO ISRAEL OR JEWS IN IT
The Forward and the JTA are the rotten leftovers of a Jewish establishment, one with radical left wing roots and the other that used to be semi-legitimate, but is now almost as rotten. So naturally their way to celebrate Israel’s Independence Day was by convincing failed singer Neshama Carlebach to sing their Judenrein version of the Israeli National Anthem. I would say this is sick, and mind you we’re talking about a media outlet famous for holding feasts on Yom Kippur, that has now managed to top itself.
The Judenrein lyrics are predictably stupid. Nefesh Yehudi is swapped out for Nefesh Yisraeli, what exactly is a Nefesh Yisraeli? Do you get a soul with your citizenship papers?
The entire point of the anthem was that it represented a Jewish yearning to return to Israel. Take that away and the anthem no longer makes any sense. It no longer has any reason to exist. Much like Israel.
Simply rewriting the anthem not to mention Jews doesn’t fix the problem. The anthem is still about a yearning of a people for a land. What people? Did the Arabs yearn to live in Israel? Did Arabs from the Arabian Desert really yearn to move to Jerusalem? Did the Arabs under Ottoman rule yearn to live under non-Muslim rule?
Why was this Israeli eye looking toward ‘our country’? Why was it looking east, when the majority of Arabs are to the east of Israel? Why were generations yearning to return to a country that didn’t exist? Does anyone seriously believe that Arabs in Israel will be more comfortable singing this nonsense? It doesn’t reflect their history, it still reflects ours. Making the anthem multicultural doesn’t make it more inclusive, it’s still Jewish, just senseless.
One of my Carlebach albums featured a photo of him standing on an IDF tank. His songs always made it clear what he believed. He would never have performed a song erasing Jews from Israel. His daughter is unfortunately another story. He clearly loved her, but her musical abilities were average at best and the only reason anyone paid attention to her was her last name. Now she has managed to drag that through the mud in a desperate bid for attention. I don’t have any of her songs, but if I did, I would be erasing them about now.
I would recommend that no one buy her material after this, on grounds of good taste, and because a Jewish singer shouldn’t be rewarding for participating in an enterprise to erase Jewish identity. If anyone still needs another reason, here are Neshama Carlebach’s comments on the video.
I was honored to have been asked to sing a new version of Hatikva for the Forward, elated to be recognized as someone who prays for and seeks change in our world.So much ego, so little talent. Seek change in your musical library.
WE LOVE DEATH MORE THAN YOU LOVE LIFE
Necrophilia is not a joke. It is real, and it is being openly ratified and encouraged by the satanic political cult of Islam. A culture of people who are so far gone that they literally see nothing wrong with copulating with dead bodies is a culture that is capable of any evil imaginable, and cannot be stopped with any appeal to decency, morality, or shame. What we are seeing in the Muslim world is the final descent of a human society into hell itself, and they will attempt to take as many others with them as they possibly can.
If these people are capable of “sexual pleasure” with not just corpses, but the corpse of the one person in the world who they should have loved and respected above all others, do you honestly believe that they would hesitate for a moment in merely pushing a button that launched nuclear warheads at Tel Aviv, or London, or New York?
The last bullet point on that page reads simply: “We love death more then you love life!”
That timeless little quote was last seen penned in the works of one Nidal M Hasan. It’s also a popular Muslim slogan.
Muslim young men are taught to lust for the demon virgins of paradise. They are taught to literally love death. So why not?
Women? They’re property. A woman in Islam has no right to refuse the sexual advances of her husband. There is no such thing as marital rape in Islam. If she can’t refuse him in life, why should she be able to refuse him in death?
The only issues here are impurity and also fatwas that make Islam look stupid, which is why this one has been pulled again, until the Salafis who insist that real Muslims don’t care what anyone else thinks, revive it.
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