The fashion world has a new darling. She’s a size 4, counts Queen Elizabeth I and Marie Antoinette as her style icons and has “a flat stomach, great legs and curvy hips,” according to Vogue.https://www.nytimes.com/2017/08/29/opinion/transgender-trump-chelsea-manning.html?ref=opinion
She also happens to have perpetrated one of the greatest leaks of classified government material in American history. But that’s not the primary concern of the breathless media coverage afforded Chelsea Manning, born Bradley.
Ms. Manning is the subject of a reverent profile and Annie Leibovitz photo spread in the September issue of Vogue, the magazine’s most important edition. The author, Nathan Heller, portrays the “graceful, blue-eyed” and unapologetic former Army private traipsing across Manhattan in a Gabriela Hearst dress and Dr. Martens, dispensing fashion tips like state secrets. (“I’ve been a huge fan of Marc Jacobs for many, many years,” she says. “He captures a kind of simplicity and a kind of beauty that I like — projecting strength through femininity.”) In a separate feature, the magazine took Ms. Manning vintage shopping as she assembled her “femme Johnny Cash” look. Not since Vogue published a piece about the wife of Syrian President Bashar al-Assad, “The Rose in the Desert,” for which it subsequently apologized and scrubbed from its website, has it celebrated such a morally compromised figure.
Anna Wintour’s glossy isn’t the only fashion outlet fascinated with Ms. Manning’s transition from soldier to advocate and from male to female. “I choose my lipstick colors carefully,” she says in an exclusive for Yahoo Beauty. “I’m not just saying, ‘I like this edgy color.’ This is an expression of my humanity. And beauty, to me, is self-expression.” On Instagram, Ms. Manning certainly expresses herself emphatically, posing with her boot stomping the camera and promising to “defend against fascism by any means necessary,” the violence-endorsing slogan of the antifa movement.
Ms. Manning also serves as artistic muse. On her website, the illustrator Molly Crabapple displays a florid birthday card she sent the imprisoned Ms. Manning three years ago. “We breathed the same air twice, at the courtroom in Fort Meade,” Ms. Crabapple wrote. At Greenwich Village’s Fridman Gallery, Ms. Manning is the subject of an exhibition in which the artist, Heather Dewey-Hagborg, rendered 3-D images of the former prisoner using DNA pulled from cheek swabs and hair samples she mailed from jail. Ted Hearne, the composer of an opera about Ms. Manning, “The Source,” which ran in San Francisco this year, insists she committed a “victimless crime.”
That’s not true. When Ms. Manning transmitted 750,000 secret military records and State Department cables to WikiLeaks in 2010, she not only jeopardized continuing missions and disrupted American diplomacy. She also put an untold number of innocent people’s lives in danger.