https://glennloury.substack.com/p/behind-the-new-york-times-megaphone?token=
How does writing for an extremely influential venue like the New York Times affect how you’re perceived? John McWhorter is finding out firsthand, as he continues to put out his outstanding twice-weekly Times newsletter. As you’ll see below, John doesn’t have much time to read through reader reactions. But a recent tweet thread from the historian Thomas Sugrue responding to his column about redlining sparked us to think about the complicated relationship between writer and audience.
Whatever your opinion of the Times, most writers, thinkers, politicians, and academics would jump at the chance to write for them. There’s no more efficient way to get your words and ideas in front of other influential people. But speaking through a megaphone that big naturally leads people to ask what gives you the authority to do so in the first place. An economist writing about the economy or a linguist writing about language may be all well and good. But when an expert in one area steps out of their lane, so to speak, people can bristle in interesting ways.
John and I discuss the complex dynamics of writing for the Gray Lady below. Check it out!
JOHN MCWHORTER: My column was replete with indications that racism still deeply affected the lives of the people—black people—who were redlined, that there was even some racism within who got a loan and who didn’t. I’m not saying that racism played no part. But I’m just saying that to think of socioeconomics as not meaningless and that the socioeconomics was not so insignificant as to be merely parenthetical or merely a footnote, that it mattered, that this stuff is complicated. And I wasn’t chased out of the room for saying this, but some of the response was rather vigorous, and I was especially surprised by Thomas Sugrue. Thomas Sugrue who’s written a really good book.