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March 2017

Warping the truth about Wilders It’s tough to be Moroccan in the Netherlands. Just ask the BBC. Bruce Bawer

Bruce Bawer is the author of “While Europe Slept,” “Surrender” and, most recently, “The Victims’ Revolution: The Rise of Identity Studies and the Closing of the Liberal Mind.”

From the moment it became clear that the ongoing Islamization of the Western world was a potential disaster of historic proportions, the mainstream media – in their perverse effort to defend the indefensible and keep the cart careening downhill – have been making use of shameless sentiment to overcome the plain facts. One of the first examples of this practice that I can recall was way back in 2003, when the big, bad Norwegian government put resident terrorist Mullah Krekar through the first of what would turn out to be many deportation scares. Since Krekar, back in his homeland of Iraq, had been responsible for the violent deaths of innumerable innocents – children included – it wasn’t an easy proposition to try to whip up sympathy for him (although, heaven knows, some media tried).

Instead, many reporters chose the family angle: Krekar might be a bad guy, but what about his poor wife and kids? Repeatedly, the papers ran tearful close-ups of Krekar’s wife and pictures of her and Krekar embracing. VG ran a whole story about the intelligence services’ confiscation of her beloved cookbook, which had been in the family for generations and which contained the recipes of all of Krekar’s favorite foods. Dagbladet, for its part, ran a report whose headline told us that when Krekar’s kids heard on TV that Daddy had been released from custody and was headed home, they kissed the TV screen. It was Dagbladet, too, that published one of the great sob stories of all time. The headline: “My children are waiting every single day to hear from Papa.” The first sentences: “Mullah Krekar’s wife (39) is scared. For her four children, and for the future.”

And so on. You get the idea. If you’re trying to obscure the truth, defend the indefensible, and smear the good guys, go for sheer, unadulterated bathos. So it is that as the clock ticks down to the March 15 parliamentary elections in the Netherlands (which, as it happens, I write about in this week’s National Review), Anna Holligan of the BBC – in an effort to paint Geert Wilders, head of the Freedom Party (PVV), as a racist hatemonger – kicked off a March 7 article from The Hague by focusing on one of the Dutch Moroccans whom Wilders, as she put it, had “accused…of making the streets unsafe.” Needless to say, Holligan didn’t talk to one of the majority of Dutch Moroccan males who have dropped out of school and are living on social welfare benefits; nor did she buttonhole one of the nearly 50% of young Dutch Moroccan males who have rap sheets.

Trump Immigration Executive Orders are Already Working Illegal border crossings drop an astounding 40% in one month. Joseph Klein

A statement issued by Homeland Security Secretary Jack Kelly, concerning data compiled by U.S. Customs and Border Protection, noted that there has been a marked decrease in illegal border crossings at the U.S.-Mexican border this year between January and February, “as measured by apprehensions and the prevention of inadmissible persons at our southern border.” In January there were 31,578 apprehensions, while in February there were 18,762. This 40 percent drop is in contrast to previous year comparisons of January and February, during which there had been a 10-20 percent increase in apprehensions of illegal immigrants.

The trend is in the right direction, even without the border wall already in place that President Trump promised during the campaign. According to U.S. Customs and Border Protection data cited by Homeland Security Secretary Kelly, “in the period from Oct 1, 2016 to the Presidential inauguration, U.S. Customs and Border Protection reported 157,000 apprehensions of illegal immigrants – a 35 percent increase over the previous fiscal year, with family units increasing by more than 100 percent. However, since President Trump took office on January 20, we have seen a dramatic drop in numbers.”

Some of the decline may be due to seasonal factors. However, more robust enforcement in the wake of President Trump’s issuance of two executive orders intended to boost such enforcement of the nation’s existing immigration laws are clearly having a deterrent effect. Since the Trump administration’s implementation of these executive orders, according to Secretary Kelly, we are seeing apprehensions and the turning away of inadmissible persons at our southern border “trending toward the lowest monthly total in at least the last five years.”

What makes the robust enforcement regime introduced by President Trump’s executive orders even more effective is the termination of the practice commonly known as “catch and release,” whereby illegal immigrants have been routinely released in the United States shortly after their apprehension for violations of immigration law. Thus, illegal immigrant traffic is slowing due to the deterrent effect of more rigorous enforcement, while those caught having entered the country illegally are not allowed to simply roam free pending their immigration hearings.

Sessions’s Firing of 46 Obama-Appointed U.S. Attorneys Isn’t Scandalous It’s only natural that a president will want his power wielded by his own appointees, whom he trusts to carry out his policy program. By Andrew C. McCarthy

In March 1993, Janet Reno began her tenure as President Bill Clinton’s attorney general by summarily firing United States attorneys for 93 of the 94 federal districts (one, Michael Chertoff, was retained in New Jersey, at the request of Democratic Senator Bill Bradley). That is more than twice as many as Trump attorney general Jeff Sessions fired on Friday.

Indeed, there were only 46 Obama-appointed U.S. attorneys left for Sessions to relieve because Obama appointees fully understood that this is the way things work. Many of them had already moved on, in the expectation that the president elected in November would replace them — an expectation that became a virtual certainty once it was clear that this change of administrations would be a change of parties, and visions.

It is frequently observed that, to be legitimate, law enforcement must operate independently of politics. It is an oversimplification, coupled with a misunderstanding of politics in its non-pejorative sense.

Of course the conduct of investigations, prosecutions, and their consequent judicial proceedings must be immune from partisanship. It would be intolerable for people to be targeted for, or insulated from, criminal law enforcement based on their political connections. Law enforcement, however, is about more than handling individual cases. It is about making overarching policy choices.

Resources are finite. Administrations must choose how many assets to dedicate to counterterrorism, immigration enforcement, health-care fraud, organized crime, and so on. Should the feds focus on the importation of illegal narcotics and their distribution by interstate criminal syndicates? Or should prosecutors and agents team up with state agencies to tackle street-level trafficking? Are the civil-rights laws an enforcement measure to protect fundamental liberties? Or are they a social-justice tool for transforming nationwide policing practices?

These policy choices are the stuff of politics. They often weigh heavily in presidential campaigns and elections. Law-and-order issues intimately affect people’s lives. When presidents make promises about them, they must expect to be held accountable.

U.S. attorneys are the instruments through which the president exercises his policy discretion. That is why they are political appointees. They do not have power of their own. Under our Constitution, all executive power is reposed in the president alone. Every officer of the executive branch is thus a delegate. The U.S. attorney exercises the president’s power and can be removed at the president’s will.

The Sense of An Ending: By Marilyn Penn

The title of this adaptation of a Julian Barnes novel seemed prophetic as several people in the rows near me could be heard asking each other for clarification of exactly what did happen at the end of the movie. This was not a purposeful device on the part of the director who wished to leave certain information ambiguous – instead, it was the result of a pile-on of too much information crammed too quickly into a tidy ending. It reminded me of what a hostess does when guests are at the front door too early and miscellaneous stuff needs to be collected and tossed into a closet so the entrance way looks neat.

If memory serves, some of the plot points have been added on in order to make the movie more relevant to today’s mores, such as a mid-thirties pregnant lesbian daughter becoming a single mother, played by Downton’s formidable Lady Mary (Michelle Dockery). Though she lights up the screen, this side-plot adds little to the story of a man whose past catches up with him through a surprising bequest of his best friend’s diary and the subsequent unraveling of the differences between memory, longing and some difficult truths. Jim Broadbent plays the aging Tony Webster, a former Oxford student whose life as a divorced, uptight owner of a small camera shop belies the promising future he once imagined. Charlotte Rampling plays the aging woman he once loved who betrayed him with his own best friend, provoking Tony’s mean-spirited letter that contained an ominous curse on that relationship. Unfortunately, Rampling bears no resemblance to the actress playing her younger self, a big casting mistake since it’s hard to see her as anything but a new person in his life. What works better in the novel than the film are the serendipitous off-hand observations and overheard remarks that give this anti-hero his eventual epiphanies into what really happened and what kind of man he actually is.

Besides being confusing, these realizations seem gratuitously forced as opposed to earned and the semblance of a hopeful ending all around is more trite than profound. For a much more satisfying adaptation of a Barnes novel, see the first-class t.v. mini-series of “Arthur & George,” (2015) a fascinating take on a true story concerning Arthur Conan Doyle and a man convicted of a crime he did not commit. The ending will be crystal clear.