There is a growing obsession with death in what passes today for our culture. This would not be a disturbing trend were it simply a fringe phenomenon. But it is ubiquitous throughout the culture.
The first series I discuss here is “Dexter.” I have watched the whole series (seven seasons, from 2006 to 2013), but it was brought to my attention by Stephen Coughlin in his “Strategic Overview: Understanding the Threat & Strategic Incomprehension in the War on Terror,” p. 6, a synopsis of the salient points of Coughlin’s Catastrophic Failure: Blindfolding America in the Face of Jihad. Coughlin writes in “Strategic Overview”:
From Catastrophic Failure [p. 34], “The “Dexter Standard,” was written to highlight the ridiculousness of the constraints placed on counterterrorism efforts to understand the nature of the threat. It argues there should be no controversy regarding analysis of a self-declared enemy’s self-identified warfighting doctrine and explains this through reference to the Showtime series Dexter. In the fall 2011 season, the plot revolved around a serial killer who acts in furtherance of an idiosyncratic End-Times scenario based on the New Testament’s Book of Revelation. Upon recognizing this, inspectors used Revelation as an essential analytical tool. The necessity of using Revelation was never questioned even as some inspectors were either nominally religious or non-believers. No one suggested that only Christian inspectors were qualified to investigate.
(I review in part Coughlin’s book in “Interfaith Bridges to Islam” on Rule of Reason.)
“Dexter” is Dexter Morgan, a forensic specialist in blood spatter analysis working for a fictive Miami police department. On the surface he is a calm, likeable fellow and gets along with most of his police colleagues. But, in secret, he is a serial killer. In fact, he is a homicidal maniac. He is a kind of vigilante who kills serial killers, and causes them to vanish. The bodies of his victims, each of whom is responsible for horrendous crimes and is ritually murdered by Dexter, are wrapped in plastic and dumped into the ocean. The problem with this, at least with me, is that once the serial killers have been “stopped,” no one knows what has happened to them and whether or not they are still at large and will strike again after a puzzling hiatus. Early in the series some of the bodies are discovered by a diving class. The unknown killer is instantly dubbed “The Bay Harbor Butcher.”
Their crimes are rarely solved by the police. The public is left in the dark about the status or demise of the killers. The police are left with big question marks. Dexter chooses not to enlighten them. He continues to analyze crime scenes and eliminate the serial killers.
My second problem with the series is that Dexter admits that he is homicidal. He likes killing killers. But his killing is done within the parameters of a “code” established by his father, a former (and now dead) policeman. This figure appears occasionally in flashbacks as a real character in the series, but mostly as a ghostly embodiment of a “conscience” with whom Dexter has an ongoing internal dialogue. This device is in addition to the intermittent voice-over narrative of Dexter.
Dexter confesses to an overwhelming urge to kill. He began as a child with animals and graduated to killing men (and some women, particularly the nurse who allegedly poisoned his ill father). It is something he says he cannot control. He is only at peace when he has killed someone. His father taught him everything he knows about tracking killers, capturing them, and finally dispatching them without leaving a single trace of himself or of the victim behind. He adheres to the “code” but sometimes questions his father’s wisdom, and sometimes his ghostly father questions his adopted son’s contemplated actions.
