On September 20, 2000, a day after Yasser Arafat launched his war of terror, euphemized as the al-Aqsa intifada, state-owned France 2 Television broadcast a news report, filmed by a Palestinian cameraman, of the fatal shooting of a 12-year-old Palestinian identified as Muhammad al-Dura. The dramatic voiceover commentary by the station’s longtime Jerusalem correspondent, Charles Enderlin, described how the boy and his father Jamal were pinned down by Israeli gunfire at Netzarim Junction in the Gaza Strip. The father pleaded frantically with the soldiers to stop shooting, to no avail. “A last burst of gunfire,” intoned Enderlin, “the boy is dead, his father critically wounded.”
This event, which came to be known as the al-Dura affair, is the starting point for Nidra Poller’s 288 page intellectual journey, Al-Dura: Long Range Ballistic Myth.
Poller, an American writer based in Paris, traces the repeated attempts by the state-owned French television station to intimidate via legal measures anyone who publicly questioned the authenticity of the event. The French courtroom thus becomes the stage where an obvious fabrication, masquerading as earnest journalism, is transformed into an indisputable fact.
Although the repeated stifling of objectively sound criticism helped to reveal the true nature of French journalism, especially in its biased depiction of Israel, the damage caused by the original incident in Netzarim was already done and the results were deadly. Poller writes:
The bloodless images of Jamal and Muhammad al-Dura were instantly seared into the public mind. Distributed free of charge to international media, repeated endlessly like a raucous war cry, the Dura video provoked anti-Jewish violence in Israel and, on a scale not seen since the Holocaust, throughout Europe.