https://www.frontpagemag.com/broadway-baby/
Two years ago, a new 12-foot-high bronze statue by British artist Thomas J. Price was installed outside Rotterdam’s main railroad station. It’s called Moments Contained, and its subject, to quote Guardian reporter Senay Boztas, is “an ordinary-looking black woman” – a plus-sized black woman, I might add – in “tracksuit bottoms and trainers.” When Boztas visited the statue, she encountered a middle-school art class that was there because the statue was part of its “colonialism and slavery” curriculum. One of the students told Boztas that it was “nice to see something other than a white man in a suit.” Boztas also quoted Rotterdam mayor Ahmed Aboutaleb’s praise for the statue: “She’s not a heroine, a character with an illustrious past….She is the future, our future, and this city is her home.” And she quoted Price’s own explanation of the statue’s purpose: “to challenge our current understandings of monuments, to critique this idea of status and value within society: who gets to be seen, to be represented.”
When I read the other day that another 12-foot-high statue of a black woman had been placed in Times Square – in the very heart of New York’s theater district – I figured it was Thomas J. Price at work again. (These days, after all, no artist worth his salt does anything just once.) Of course it was. To be sure, the two statues differ somewhat. The one in Rotterdam seems to be somewhat at ease – leaning back slightly, her hands in her pockets. The one in New York, which is called Grounded in the Stars, is standing up straight, her hands on her hips, and looks as if she’s about to spit on somebody or let loose a string of expletives. She’s even more overweight than her sister in Rotterdam, and her hair is in cornrows. Times Square’s website (who knew that Times Square had a website?) says that the statue “foregrounds the intrinsic value of the individual and amplifies traditionally marginalized bodies on a monumental scale.” You know, the usual. Price, for his part, says that he wants the statue to inspire “deeper reflection around the human condition and greater cultural diversity.” As for the bronze woman herself, “both her stature and her unbothered gaze are markers of status and authority; this is a figure who understands her worth.”
