https://www.opinione.it/editoriali/2021/04/29/renato-cristin_ostilit%C3%A0-israele-antisemitismo-funzionale-human-rights-watch-onu/
On one thing, the recent report by Human Rights Watch dedicated to Israel is right: “a threshold has been crossed”. Yes, one limit has been crossed, or rather two, but it is Human Rights Watch itself that has exceeded them: on the one hand, its report goes beyond the limits of the caricature and the grotesque (which is inadmissible for an organization accredited to the UN), presenting a political and social reality through the distorting lens of pro-Palestinian, pro-Islamic and anti-Zionist ideology; on the other hand, the border that divides criticism of the work of the State of Israel from antisemitism as the result of an action, an analysis or an opinion has been crossed. Yes, this relationship has introduced a new level: it cleared that form of anti-Israeli and anti-Jewish hatred that I call functional antisemitism.
We know that these organizations, protected by the UN, have no problem attacking any government not aligned with the Palace, tarnishing it with hallucinating and often spurious accusations. But towards Israel there has always been, in that Palace and in its ideologies, a special aversion, which can be explained above all by the resistance that Israel opposes to the tendency to annihilate the nations that the UN has always supported and with the refusal Israel to accept the warnings (or rather: the diktats) to behave according to criteria that the UN considers politically correct.
Today, with an apparently isolated but in reality concerted action at the highest level, because it is connected with the orientation of the UN and, as we will see, with the action of the International Criminal Court, this questionable NGO puts Israel in the dock for racism and crimes against humanity (but with what credibility, then?, with what historical heritage, with what spiritual mission, with what political authority, with what popular mandate, with what ideological neutrality?), as if it were Amin Dada’s Uganda or the Central African Republic of Bokassa. Absurd, as in a piece by Beckett or Ionesco.